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Trees Acrylic Print featuring the photograph Lifeboat with Shark by Wesley Elsberry

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Lifeboat with Shark Acrylic Print

Wesley Elsberry

by Wesley Elsberry

$78.00

Product Details

Lifeboat with Shark acrylic print by Wesley Elsberry.   Bring your artwork to life with the stylish lines and added depth of an acrylic print. Your image gets printed directly onto the back of a 1/4" thick sheet of clear acrylic. The high gloss of the acrylic sheet complements the rich colors of any image to produce stunning results. Two different mounting options are available, see below.

Design Details

A scene from construction of I-40 in North Carolina near New Hope, where a small group of trees gets a weekend's reprieve from the general clearing.

Ships Within

3 - 4 business days

Additional Products

Lifeboat with Shark Photograph by Wesley Elsberry

Photograph

Lifeboat With Shark Canvas Print

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Lifeboat With Shark Framed Print

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Lifeboat With Shark Art Print

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Lifeboat With Shark Poster

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Lifeboat With Shark Metal Print

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Lifeboat With Shark Acrylic Print

Acrylic Print

Lifeboat With Shark Wood Print

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Lifeboat With Shark Greeting Card

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Lifeboat With Shark iPhone Case

iPhone Case

Lifeboat With Shark Fleece Blanket

Fleece Blanket

Acrylic Print Tags

acrylic prints tree acrylic prints construction acrylic prints destruction acrylic prints dozer acrylic prints bulldozer acrylic prints north carolina acrylic prints

Photograph Tags

photographs tree photos construction photos destruction photos dozer photos bulldozer photos north carolina photos

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Artist's Description

A scene from construction of I-40 in North Carolina near New Hope, where a small group of trees gets a weekend's reprieve from the general clearing.

About Wesley Elsberry

Wesley Elsberry

Photography became my primary skill in the visual arts when I was sixteen. I've learned from mentors and teachers: Lamar Philpot, Wallace Wilson, Evon Streetman, Randy Batista, and Laurie Hitzig. Alfred Stieglitz's vociferous defense of photography as an art form in itself appeals to me, though Stieglitz's subjective and sometimes vindictive determinations of who was in and who was out of serious artistic consideration does not. I prefer a mode of photography that puts most of the effort in up-front, before the shutter snaps, and reserve the use of many of the techniques Stieglitz approved of as manipulations to exceptional cases. The primary manipulation of the photographer is to concentrate the attention of the viewer to the same subject...

 

$78.00

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