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Road Fleece Blanket featuring the photograph On The Road 1 by Wesley Elsberry

Boundary: Bleed area may not be visible.

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On The Road 1 Fleece Blanket

Wesley Elsberry

by Wesley Elsberry

$46.00

Size

Orientation

Material

Image Size

 
 

Product Details

Our luxuriously soft blankets are available in two different sizes and feature incredible artwork on the top surface. The bottom surface is white. Our 100% polyester blankets are available in two different styles: plush fleece and sherpa fleece. Plush fleece blankets are soft and fluffy on both sides, whereas sherpa blankets are smooth like a soft sweater on the artwork side (i.e. shorter threads) which provides for a sharper image. Looking for a recommendation? Go with a 60" x 80" plush fleece blanket. It's soft and luxurious on both sides... the artwork looks incredible... and the size is just right for everyone.

Design Details

Time exposure and moving down the road turns ordinary lights and signals into curvy streaks.

Care Instructions

Machine wash cold and tumble dry with low heat.

Ships Within

1 - 2 business days

Additional Products

On The Road 1 Photograph by Wesley Elsberry

Photograph

On The Road 1 Canvas Print

Canvas Print

On The Road 1 Framed Print

Framed Print

On The Road 1 Art Print

Art Print

On The Road 1 Poster

Poster

On The Road 1 Metal Print

Metal Print

On The Road 1 Acrylic Print

Acrylic Print

On The Road 1 Wood Print

Wood Print

On The Road 1 Greeting Card

Greeting Card

On The Road 1 iPhone Case

iPhone Case

On The Road 1 Fleece Blanket

Fleece Blanket

Fleece Blanket Tags

fleece blankets road fleece blankets lights fleece blankets time exposure fleece blankets smoke fleece blankets night fleece blankets motion fleece blankets

Photograph Tags

photographs road photos lights photos time exposure photos smoke photos night photos motion photos

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Artist's Description

Time exposure and moving down the road turns ordinary lights and signals into curvy streaks.

About Wesley Elsberry

Wesley Elsberry

Photography became my primary skill in the visual arts when I was sixteen. I've learned from mentors and teachers: Lamar Philpot, Wallace Wilson, Evon Streetman, Randy Batista, and Laurie Hitzig. Alfred Stieglitz's vociferous defense of photography as an art form in itself appeals to me, though Stieglitz's subjective and sometimes vindictive determinations of who was in and who was out of serious artistic consideration does not. I prefer a mode of photography that puts most of the effort in up-front, before the shutter snaps, and reserve the use of many of the techniques Stieglitz approved of as manipulations to exceptional cases. The primary manipulation of the photographer is to concentrate the attention of the viewer to the same subject...

 

$46.00