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Boat Ramp Framed Print featuring the photograph Ocean Beach Boat Ramp by Wesley Elsberry

Frame

Top Mat

Top Mat

Bottom Mat

Bottom Mat

Dimensions

Image:

6.50" x 10.00"

Mat Border:

2.00"

Frame Width:

0.88"

Overall:

12.00" x 15.50"

 

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Ocean Beach Boat Ramp Framed Print

Wesley Elsberry

by Wesley Elsberry

$73.00

Product Details

Ocean Beach Boat Ramp framed print by Wesley Elsberry.   Bring your print to life with hundreds of different frame and mat combinations. Our framed prints are assembled, packaged, and shipped by our expert framing staff and delivered "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.

Design Details

The sun gets lower in the west, and this boat ramp and a wave rolling in get lit up.

Ships Within

3 - 4 business days

Additional Products

Ocean Beach Boat Ramp Photograph by Wesley Elsberry

Photograph

Ocean Beach Boat Ramp Canvas Print

Canvas Print

Ocean Beach Boat Ramp Framed Print

Framed Print

Ocean Beach Boat Ramp Art Print

Art Print

Ocean Beach Boat Ramp Poster

Poster

Ocean Beach Boat Ramp Metal Print

Metal Print

Ocean Beach Boat Ramp Acrylic Print

Acrylic Print

Ocean Beach Boat Ramp Wood Print

Wood Print

Ocean Beach Boat Ramp Greeting Card

Greeting Card

Ocean Beach Boat Ramp iPhone Case

iPhone Case

Ocean Beach Boat Ramp Fleece Blanket

Fleece Blanket

Framed Print Tags

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Photograph Tags

photographs san diego photos boat ramp photos walkway photos rocks photos water photos ocean photos pacific photos ocean beach photos california photos

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Artist's Description

The sun gets lower in the west, and this boat ramp and a wave rolling in get lit up.

About Wesley Elsberry

Wesley Elsberry

Photography became my primary skill in the visual arts when I was sixteen. I've learned from mentors and teachers: Lamar Philpot, Wallace Wilson, Evon Streetman, Randy Batista, and Laurie Hitzig. Alfred Stieglitz's vociferous defense of photography as an art form in itself appeals to me, though Stieglitz's subjective and sometimes vindictive determinations of who was in and who was out of serious artistic consideration does not. I prefer a mode of photography that puts most of the effort in up-front, before the shutter snaps, and reserve the use of many of the techniques Stieglitz approved of as manipulations to exceptional cases. The primary manipulation of the photographer is to concentrate the attention of the viewer to the same subject...

 

$73.00

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