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Tree Poster featuring the photograph Christmas Plus One Tree by Wesley Elsberry

Frame

Top Mat

Top Mat

Bottom Mat

Bottom Mat

Dimensions

Image:

8.00" x 5.00"

Overall:

10.00" x 7.00"

 

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Christmas Plus One Tree Poster

Wesley Elsberry

by Wesley Elsberry

$18.56

Product Details

Christmas Plus One Tree poster by Wesley Elsberry.   Our posters are produced on acid-free papers using archival inks to guarantee that they last a lifetime without fading or loss of color. All posters include a 1" white border around the image to allow for future framing and matting, if desired.

Design Details

On the day after Christmas, this tree's pattern of branches filled the frame nicely.

Ships Within

3 - 4 business days

Additional Products

Christmas Plus One Tree Photograph by Wesley Elsberry

Photograph

Christmas Plus One Tree Canvas Print

Canvas Print

Christmas Plus One Tree Framed Print

Framed Print

Christmas Plus One Tree Art Print

Art Print

Christmas Plus One Tree Poster

Poster

Christmas Plus One Tree Metal Print

Metal Print

Christmas Plus One Tree Acrylic Print

Acrylic Print

Christmas Plus One Tree Wood Print

Wood Print

Christmas Plus One Tree Greeting Card

Greeting Card

Christmas Plus One Tree iPhone Case

iPhone Case

Christmas Plus One Tree Fleece Blanket

Fleece Blanket

Poster Tags

posters winter posters tree posters moss posters sky posters leafless posters lakeland posters florida posters

Photograph Tags

photographs winter photos tree photos moss photos sky photos leafless photos lakeland photos florida photos

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Artist's Description

On the day after Christmas, this tree's pattern of branches filled the frame nicely.

About Wesley Elsberry

Wesley Elsberry

Photography became my primary skill in the visual arts when I was sixteen. I've learned from mentors and teachers: Lamar Philpot, Wallace Wilson, Evon Streetman, Randy Batista, and Laurie Hitzig. Alfred Stieglitz's vociferous defense of photography as an art form in itself appeals to me, though Stieglitz's subjective and sometimes vindictive determinations of who was in and who was out of serious artistic consideration does not. I prefer a mode of photography that puts most of the effort in up-front, before the shutter snaps, and reserve the use of many of the techniques Stieglitz approved of as manipulations to exceptional cases. The primary manipulation of the photographer is to concentrate the attention of the viewer to the same subject...

 

$18.56

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