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Alcatraz Island Framed Print featuring the photograph Alcatraz with Pelicans by Wesley Elsberry

Frame

Top Mat

Top Mat

Bottom Mat

Bottom Mat

Dimensions

Image:

12.00" x 7.00"

Mat Border:

2.00"

Frame Width:

0.88"

Overall:

17.50" x 12.50"

 

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Alcatraz with Pelicans Framed Print

Wesley Elsberry

by Wesley Elsberry

$86.00

Product Details

Alcatraz with Pelicans framed print by Wesley Elsberry.   Bring your print to life with hundreds of different frame and mat combinations. Our framed prints are assembled, packaged, and shipped by our expert framing staff and delivered "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.

Design Details

Alcatraz Island seen from the San Francisco waterfront, with a fortuitous flock of pelicans passing by.

Ships Within

3 - 4 business days

Additional Products

Alcatraz with Pelicans Photograph by Wesley Elsberry

Photograph

Alcatraz With Pelicans Canvas Print

Canvas Print

Alcatraz With Pelicans Framed Print

Framed Print

Alcatraz With Pelicans Art Print

Art Print

Alcatraz With Pelicans Poster

Poster

Alcatraz With Pelicans Metal Print

Metal Print

Alcatraz With Pelicans Acrylic Print

Acrylic Print

Alcatraz With Pelicans Wood Print

Wood Print

Alcatraz With Pelicans Greeting Card

Greeting Card

Alcatraz With Pelicans iPhone Case

iPhone Case

Alcatraz With Pelicans Fleece Blanket

Fleece Blanket

Framed Print Tags

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Photograph Tags

photographs san francisco photos pelican photos alcatraz island photos alcatraz photos pelicans photos sailboat photos california photos water photos ocean photos

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Artist's Description

Alcatraz Island seen from the San Francisco waterfront, with a fortuitous flock of pelicans passing by.

About Wesley Elsberry

Wesley Elsberry

Photography became my primary skill in the visual arts when I was sixteen. I've learned from mentors and teachers: Lamar Philpot, Wallace Wilson, Evon Streetman, Randy Batista, and Laurie Hitzig. Alfred Stieglitz's vociferous defense of photography as an art form in itself appeals to me, though Stieglitz's subjective and sometimes vindictive determinations of who was in and who was out of serious artistic consideration does not. I prefer a mode of photography that puts most of the effort in up-front, before the shutter snaps, and reserve the use of many of the techniques Stieglitz approved of as manipulations to exceptional cases. The primary manipulation of the photographer is to concentrate the attention of the viewer to the same subject...

 

$86.00

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