Sale on canvas prints! Use code ABCXYZ at checkout for a special discount!

Previous PagePREV

|

54 of 95

|

NEXTNext Page
Orchid Art Print featuring the photograph Orchid 498 by Wesley Elsberry

Frame

Top Mat

Top Mat

Bottom Mat

Bottom Mat

Dimensions

Image:

8.00" x 5.50"

Overall:

10.00" x 7.50"

 

Share This Page

Orchid 498 Art Print

Wesley Elsberry

by Wesley Elsberry

$18.56

Product Details

Orchid 498 art print by Wesley Elsberry.   Our art prints are produced on acid-free papers using archival inks to guarantee that they last a lifetime without fading or loss of color. All art prints include a 1" white border around the image to allow for future framing and matting, if desired.

Design Details

I like turning up when orchids are on display.

Ships Within

3 - 4 business days

Additional Products

Orchid 498 Photograph by Wesley Elsberry

Photograph

Orchid 498 Canvas Print

Canvas Print

Orchid 498 Framed Print

Framed Print

Orchid 498 Art Print

Art Print

Orchid 498 Poster

Poster

Orchid 498 Metal Print

Metal Print

Orchid 498 Acrylic Print

Acrylic Print

Orchid 498 Wood Print

Wood Print

Orchid 498 Greeting Card

Greeting Card

Orchid 498 iPhone Case

iPhone Case

Orchid 498 Fleece Blanket

Fleece Blanket

Art Print Tags

art prints orchid art prints flowers still life art prints flower art prints floral art prints closeup art prints

Photograph Tags

photographs orchid photos flowers still life photos flower photos floral photos closeup photos

Comments (0)

There are no comments for Orchid 498.   Click here to post the first comment.

Artist's Description

I like turning up when orchids are on display.

About Wesley Elsberry

Wesley Elsberry

Photography became my primary skill in the visual arts when I was sixteen. I've learned from mentors and teachers: Lamar Philpot, Wallace Wilson, Evon Streetman, Randy Batista, and Laurie Hitzig. Alfred Stieglitz's vociferous defense of photography as an art form in itself appeals to me, though Stieglitz's subjective and sometimes vindictive determinations of who was in and who was out of serious artistic consideration does not. I prefer a mode of photography that puts most of the effort in up-front, before the shutter snaps, and reserve the use of many of the techniques Stieglitz approved of as manipulations to exceptional cases. The primary manipulation of the photographer is to concentrate the attention of the viewer to the same subject...

 

$18.56

Previous Page Next Page