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Orchid Galaxy Case featuring the photograph Orchid 491 by Wesley Elsberry

Boundary: Bleed area may not be visible.

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Orchid 491 Galaxy Case

Wesley Elsberry

by Wesley Elsberry

$27.00

Model

Case Style

Orientation

Image Size

 
 

Product Details

Orchid 491 Galaxy case by Wesley Elsberry.   Protect your Galaxy S8 with an impact-resistant, slim-profile, hard-shell case. The image is printed directly onto the case and wrapped around the edges for a beautiful presentation. Simply snap the case onto your Galaxy S8 for instant protection and direct access to all of the phone's features!

Design Details

I like turning up when orchids are on display.

Ships Within

3 - 4 business days

Additional Products

Orchid 491 Photograph by Wesley Elsberry

Photograph

Orchid 491 Canvas Print

Canvas Print

Orchid 491 Framed Print

Framed Print

Orchid 491 Art Print

Art Print

Orchid 491 Poster

Poster

Orchid 491 Metal Print

Metal Print

Orchid 491 Acrylic Print

Acrylic Print

Orchid 491 Wood Print

Wood Print

Orchid 491 Greeting Card

Greeting Card

Orchid 491 iPhone Case

iPhone Case

Orchid 491 Fleece Blanket

Fleece Blanket

Galaxy Cases Tags

galaxy cases orchid galaxy cases flowers still life galaxy cases flower galaxy cases floral galaxy cases closeup galaxy cases

Photograph Tags

photographs orchid photos flowers still life photos flower photos floral photos closeup photos

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About Galaxy S8 Cases

Protect your Galaxy S8 with an impact-resistant, slim-profile, hard-shell case.   The image is printed directly onto the case and wrapped around the edges for a beautiful presentation.   Simply snap the case onto your Galaxy S8 for instant protection and direct access to all of the phone's features!

Artist's Description

I like turning up when orchids are on display.

About Wesley Elsberry

Wesley Elsberry

Photography became my primary skill in the visual arts when I was sixteen. I've learned from mentors and teachers: Lamar Philpot, Wallace Wilson, Evon Streetman, Randy Batista, and Laurie Hitzig. Alfred Stieglitz's vociferous defense of photography as an art form in itself appeals to me, though Stieglitz's subjective and sometimes vindictive determinations of who was in and who was out of serious artistic consideration does not. I prefer a mode of photography that puts most of the effort in up-front, before the shutter snaps, and reserve the use of many of the techniques Stieglitz approved of as manipulations to exceptional cases. The primary manipulation of the photographer is to concentrate the attention of the viewer to the same subject...

 

$27.00