Sale on canvas prints! Use code ABCXYZ at checkout for a special discount!

Previous PagePREV

|

33 of 95

|

NEXTNext Page
Road Metal Print featuring the photograph On The Road 2 by Wesley Elsberry

Share This Page

On The Road 2 Metal Print

Wesley Elsberry

by Wesley Elsberry

$96.00

Product Details

On The Road 2 metal print by Wesley Elsberry.   Bring your artwork to life with the stylish lines and added depth of a metal print. Your image gets printed directly onto a sheet of 1/16" thick aluminum. The aluminum sheet is offset from the wall by a 3/4" thick wooden frame which is attached to the back. The high gloss of the aluminum sheet complements the rich colors of any image to produce stunning results.

Design Details

What happens when you keep your eye on the road.

Ships Within

3 - 4 business days

Additional Products

On The Road 2 Photograph by Wesley Elsberry

Photograph

On The Road 2 Canvas Print

Canvas Print

On The Road 2 Framed Print

Framed Print

On The Road 2 Art Print

Art Print

On The Road 2 Poster

Poster

On The Road 2 Metal Print

Metal Print

On The Road 2 Acrylic Print

Acrylic Print

On The Road 2 Wood Print

Wood Print

On The Road 2 Greeting Card

Greeting Card

On The Road 2 iPhone Case

iPhone Case

On The Road 2 Fleece Blanket

Fleece Blanket

Metal Print Tags

metal prints road metal prints travel metal prints night metal prints lights metal prints time exposure metal prints

Photograph Tags

photographs road photos travel photos night photos lights photos time exposure photos

Comments (0)

There are no comments for On The Road 2.   Click here to post the first comment.

Artist's Description

What happens when you keep your eye on the road.

About Wesley Elsberry

Wesley Elsberry

Photography became my primary skill in the visual arts when I was sixteen. I've learned from mentors and teachers: Lamar Philpot, Wallace Wilson, Evon Streetman, Randy Batista, and Laurie Hitzig. Alfred Stieglitz's vociferous defense of photography as an art form in itself appeals to me, though Stieglitz's subjective and sometimes vindictive determinations of who was in and who was out of serious artistic consideration does not. I prefer a mode of photography that puts most of the effort in up-front, before the shutter snaps, and reserve the use of many of the techniques Stieglitz approved of as manipulations to exceptional cases. The primary manipulation of the photographer is to concentrate the attention of the viewer to the same subject...

 

$96.00

Previous Page Next Page