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Road Canvas Print featuring the photograph On The Road 1 by Wesley Elsberry

Frame

Top Mat

Top Mat

Bottom Mat

Bottom Mat

Dimensions

Image:

20.00" x 7.00"

Overall:

20.00" x 7.00"

 

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On The Road 1 Canvas Print

Wesley Elsberry

by Wesley Elsberry

$103.00

Product Details

On The Road 1 canvas print by Wesley Elsberry.   Bring your artwork to life with the texture and depth of a stretched canvas print. Your image gets printed onto one of our premium canvases and then stretched on a wooden frame of 1.5" x 1.5" stretcher bars (gallery wrap) or 5/8" x 5/8" stretcher bars (museum wrap). Your canvas print will be delivered to you "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.

Design Details

Time exposure and moving down the road turns ordinary lights and signals into curvy streaks.

Ships Within

3 - 4 business days

Additional Products

On The Road 1 Photograph by Wesley Elsberry

Photograph

On The Road 1 Canvas Print

Canvas Print

On The Road 1 Framed Print

Framed Print

On The Road 1 Art Print

Art Print

On The Road 1 Poster

Poster

On The Road 1 Metal Print

Metal Print

On The Road 1 Acrylic Print

Acrylic Print

On The Road 1 Wood Print

Wood Print

On The Road 1 Greeting Card

Greeting Card

On The Road 1 iPhone Case

iPhone Case

On The Road 1 Fleece Blanket

Fleece Blanket

Canvas Print Tags

canvas prints road canvas prints lights canvas prints time exposure canvas prints smoke canvas prints night canvas prints motion canvas prints

Photograph Tags

photographs road photos lights photos time exposure photos smoke photos night photos motion photos

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Artist's Description

Time exposure and moving down the road turns ordinary lights and signals into curvy streaks.

About Wesley Elsberry

Wesley Elsberry

Photography became my primary skill in the visual arts when I was sixteen. I've learned from mentors and teachers: Lamar Philpot, Wallace Wilson, Evon Streetman, Randy Batista, and Laurie Hitzig. Alfred Stieglitz's vociferous defense of photography as an art form in itself appeals to me, though Stieglitz's subjective and sometimes vindictive determinations of who was in and who was out of serious artistic consideration does not. I prefer a mode of photography that puts most of the effort in up-front, before the shutter snaps, and reserve the use of many of the techniques Stieglitz approved of as manipulations to exceptional cases. The primary manipulation of the photographer is to concentrate the attention of the viewer to the same subject...

 

$103.00

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