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Pelican Framed Print featuring the photograph Floating Pelican by Wesley Elsberry

Frame

Top Mat

Top Mat

Bottom Mat

Bottom Mat

Dimensions

Image:

7.50" x 8.00"

Mat Border:

2.00"

Frame Width:

0.88"

Overall:

13.00" x 13.50"

 

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Floating Pelican Framed Print

Wesley Elsberry

by Wesley Elsberry

$79.00

Product Details

Floating Pelican framed print by Wesley Elsberry.   Bring your print to life with hundreds of different frame and mat combinations. Our framed prints are assembled, packaged, and shipped by our expert framing staff and delivered "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.

Design Details

The light, wind, and buildings in the background conspired to make this photo look something like an impressionist painting. The pelican is the nexus... more

Ships Within

3 - 4 business days

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Framed Print Tags

framed prints pelican framed prints nature framed prints wildlife framed prints florida framed prints st. petersburg framed prints ocean framed prints water framed prints

Photograph Tags

photographs pelican photos nature photos wildlife photos florida photos st. petersburg photos ocean photos water photos

Comments (4)

Irina Sztukowski

Irina Sztukowski

Congratulations on your sale!

Dean Wittle

Dean Wittle

Congratulations on today's sale!!!

Sunil Kapadia

Sunil Kapadia

Congratulations!

Vector Convert

Vector Convert

**Great work..Please share mine too..**/*

Artist's Description

The light, wind, and buildings in the background conspired to make this photo look something like an impressionist painting. The pelican is the nexus of the elements and gives something real as a referent.

About Wesley Elsberry

Wesley Elsberry

Photography became my primary skill in the visual arts when I was sixteen. I've learned from mentors and teachers: Lamar Philpot, Wallace Wilson, Evon Streetman, Randy Batista, and Laurie Hitzig. Alfred Stieglitz's vociferous defense of photography as an art form in itself appeals to me, though Stieglitz's subjective and sometimes vindictive determinations of who was in and who was out of serious artistic consideration does not. I prefer a mode of photography that puts most of the effort in up-front, before the shutter snaps, and reserve the use of many of the techniques Stieglitz approved of as manipulations to exceptional cases. The primary manipulation of the photographer is to concentrate the attention of the viewer to the same subject...

 

$79.00

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